LRCD1013 - French on the
Flentrop
LRCD1020
- Advent Procession based on the Great
'O' Antiphons
LRCD1022
- Out of this World
J.
Melvin Butler has been Organist/Choirmaster of St. Mark's Episcopal
Cathedral in Seattle since 1992.
At St. Mark’s he is responsible for the entire music program
which includes directing three choirs and playing the four-manual Flentrop
organ. He
is also Artist-in-Residence at the University of Washington where he
teaches organ improvisation.
From 1972 through 1991 he was Organist/Choirmaster of the Downtown
Presbyterian Church in Rochester, NY.
During that time he was also Associate Professor of Church Music at
the Eastman School of Music, a violist with the Rochester Philharmonic
Orchestra, and Music Director and Conductor of the Rochester Bach Festival
Chorus. From
1968 to 1972 he was violist with the U. S. Navy String Quartet and
Organist of the First Congregational Church in Washington, DC.
As
organist, Dr. Butler has performed extensively in the United States and
Great Britain; his New York City debut was in 1971, and his London debut
was in 1989 at St. Paul's Cathedral. Butler has also performed as baroque
violist and harpsichordist with the Genesee Baroque Players in Upstate New
York. Also a published
composer, his works have been performed throughout the United States.
In 1983 he was awarded a Winston Churchill Traveling Fellowship by
the New York City branch of the English-Speaking Union for choral
conducting study in England and Scotland.
He often presents master classes and lectures on various aspects of
church music, choral conducing, and hymn playing and has been a featured
performer/lecturer at several AGO conventions.
Originally from Burlington, NC, Butler received the Bachelor of
Music degree from the Oberlin Conservatory of Music as an organ student of
Garth Peacock, and the Master of Music and Doctor of Musical Arts degrees
from the Eastman School of Music where he studied organ with David
Craighead.
The
Seattle Post-Intelligencer
has said of his playing:
“There
was no doubt about Butler’s capabilities.
His performances....gave ample evidence not only of his technical
ability but his creative use of registrations.”
