Home Catalogue Artists Composers Mailing list Contact

LRCD1026.jpg (15839 bytes)

  Home > Catalogue > Organ > LRCD1026 > Reviews

  Krebs: Clavier-Ubung

William Porter - Organ

LRCD1026

Tracks Artist Notes Reviews


£12.99 inc VAT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 

 

 

The Organ
May - July 2002

Once again Loft goes to great efforts to match player, organ and repertoire and comes up with a model release as only they seem able!  This is the debut CD recording of an organ built in 1806 as the largest instrument (2/29) from the prolific workshop of Pehr Schiørlin (1736-1815), latterly the foremost of the Linkøping organ building school.  Its forthright sound, the mixture compositions in particular obviously conceived to support congregational singing, makes its presence felt in the small village church of Gammalkil with its wooden barrel-vaulted ceiling.  The organ also features singing, robust principals, as well as, colourful flutes and strings.  The wind is provided by four wedge bellows, reconstructed by Akerman and Lund in their 1996 restoration.

William Porter, internationally respected organ professor at New England Conservatory in Boston here presents the Clavier-übung of Krebs.  Each of the 13 chorals is set firstly as a brief praeambulum, then in 2 or 3 parts (the non cantus-firmus voice often very simple, for example a series of arpeggios), and finally as a harmonisation of the choral over a figured bass.  The many short movements allow Porter every opportunity to show off all the possibilities of the instrument, and it responds wonderfully to the music and to his typically profound interpretations which make even the weakest pieces sound thoroughly worthwhile.  As a bonus he throws in two of Krebs' more substantial choral preludes, Herzlich lieb hab ich dich, o Herr, and Von Gott will ich nicht lassen.

The recording is good if perhaps a little close and the booklet features essays on the music, the organ and full registrations together with comments by the recording's producer, Roger Sherman.

It's a real privilege to be able to review a disc which so clearly displays a profound understanding of what is relevant in the organ art, both in terms of instrument and music and the relationship between them (particularly when as here, that relationship is not immediately obvious), especially when so many releases still miss the mark so frustratingly.  Congratulations to all involved.

 

 

Home ] Catalogue ] Artists ] Composers ] Mailing list ] Contact ]